Cover Feature

Noack Organ Company, Georgetown, Massachusetts

Richard Houghten,
Milan, Michigan
Church of the Incarnation,
Dallas, Texas

 

Cover Feature

C. B. Fisk, Inc., Gloucester, Massachusetts, Opus 146

Chapel of the Holy Spirit, 

Christ Church, Glendale, Ohio

New Organs

Dobson Pipe Organ Builders, Lake City, Iowa, Opus 92

The Steve and Judy Turner Recital Hall, Vanderbilt University,

Cover Feature

Taylor and Boody Organbuilders Staunton, Virginia

Opus 70, 2015

Virginia Theological Seminary Alexandria, Virginia

New Organs

Patrick J. Murphy & Associates

Stowe, Pennsylvania

Church of the Covenant, 

Scranton, Pennsylvania

Patrick J. Murphy & Associates in Stowe, Pennsylvania, recently completed a major renovation of the organ at Church of the Covenant, Scranton, Pennsylvania. The 3-manual, 37-stop, 56-rank instrument recasts the existing 1960s-era Schlicker with a new Swell division, revoiced Great and Positive fluework, new chorus reeds throughout, and a new PJM Signature console.  

New Organs

Hinners Opus 2696

Buzard Pipe Organ Builders, Champaign, Illinois

Living Word Church, Roberts, Illinois

Relocation and resurrection

New Organs

Victor Gonzalez/Robert Martin, 

Paris, France

Mercer University, 

Macon, Georgia

Mercer University has acquired and has dedicated a new organ for the organ teaching studio in McCorkle Hall, Townsend School of Music. The instrument, the Giuseppe Englert Memorial Organ, was originally built by Victor Gonzalez in 1953 in Paris. Its home for 59 years was the salon in the apartment on the Boulevard de la Tour-Maubourg (in full view of the impressive gold-leaf dome of Les Invalides, where one finds the tomb of Napoléon) of Giuseppe Englert and his wife, Jacqueline Englert-Marchal, the daughter of celebrated blind French organist André Marchal.

Cover feature

Kegg Pipe Organ Builders,

Hartville, Ohio

Bryn Athyn Cathedral

Bryn Athyn, Pennsylvania

From the organbuilder

New Organs

Building a new studio teaching and practice organ for the Curtis Institute of Music came with some unusual parameters. The available space was the former percussion studio, a pigs-ear room for an organ, buried in the basement of the former mansion on Rittenhouse Square. Totally padded with carpet and acoustically absorbent material, it was obvious that an acoustician was going to be needed, not only to tell us what could be done to improve the situation, but also to warn us how bad it might actually be!