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  3. On Teaching: an update

On Teaching: an update

Gavin Black

Gavin Black is director of the Princeton Early Keyboard Center, Princeton, New Jersey.

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An update

Several months ago, I fell and tore my right rotator cuff, again! Though I continue to heal, there have been a few setbacks. Holding my arms in the position necessary to play any of my instruments has continued to engender really severe shoulder pain—and so has any effort to type.

Hence, my column has been absent for the last few months. I have been doing a disproportionate amount of practicing with my left hand, which is probably a good thing, and I will perhaps write about it someday. In particular I have been going through the Bach trio sonatas with left hand and pedal. This is the most important step in practicing those pieces anyways: but one that we are all inclined to shortchange! It is refreshing, in a way, to be forced to concentrate on it.

Because of the delays and uncertainties inherent in this problem, we have decided to shake things up a bit with respect to the column. In the coming weeks and months I will be creating videos addressing the sorts of topics that have concerned the column over the last sixteen years. This is actually something that we considered seriously several years ago, though at that point it never quite got off the ground.

I will eventually resume writing columns for the magazine. However, for now they will be more “once in a while” than “almost every month.”

Meanwhile, one great advantage of the video project is that it creates a format for revisiting topics I wrote about a long time ago without being redundant. There are many things that I would consider differently now, or which I can explain better now. That is as it should be: we all hope to learn and evolve, and print notoriously sets things in stone forever. For example, I am inordinately fond of thinking about hand distribution, the importance of which I think sometimes goes a bit under appreciated.

I wrote a three-column series on that subject in 2014, and I still endorse what I wrote then. But I would put some of it differently now. That is a discussion that could benefit from demonstration. This is also true of many areas within the very open-ended realm of organ pedagogy. To some extent my choices about what to focus on in video form will be governed by what I think can benefit more from demonstration. (I will certainly revisit the always-pressing subject of teaching and learning pedal playing. This is an area where actual demonstration should be very 
useful indeed.)

This is a work in progress for now. The videos will be released periodically, and it’s possible that by the time you are reading this a video or two will be available. The first one will be an introductory discussion, and then I will plunge into specific topics.

I will be overjoyed to receive suggestions for video topics, or thoughts about this project. Of course I will also be very happy to hear from anyone with any sorts of reactions to the videos as they start to come out. And I will stay in touch with you in these pages from time to time!

Fugue subject
On Teaching
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Harpsichord keyboards
On Teaching: the harpsichord, an introduction, part 1
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Fritts organ, Princeton Seminary
On Teaching: Peformance and Performance Art
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An Italian harpsichord (photo credit: Gavin Black)
On Teaching: Harpsichord Introduction, part 2
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Circa 1976 Flentrop practice organ, Westminster Choir College, Princeton, New Jersey (photo credit: Daryl Robinson)
On Teaching: Remembrances of Westminster Choir College
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An LP player
On Teaching
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Example from Art of the Fugue
On Teaching: The Art of the Fugue, part 4
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Example 1: Widor Symphony 6, movement 1, opening bars
On Teaching: Further thoughts about rhythm
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Eugene Roan
On Teaching: Gene Roan
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Example 1
On Teaching: Further thoughts about rhythm, part 4
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Lorraine Brugh, Richard Webster, Karel Paukert
From Skutec to Cleveland, A Journey to Freedom through Music: A conversation with Karel Paukert
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Patrick Scott
Spotlight on Improvisation, Part 5: an Interview with Patrick Scott
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Title page of the score
On Teaching: The Art of the Fugue, part 5
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Example 1
On Teaching: willing suspension of disbelief
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Nicolas Kynaston
A Tribute to Nicolas Kynaston (1941–2025)
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The Concert, Johannes Vermeer
On Teaching: The Harpsichord, an Introduction, Part 4
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Jason Roberts
Spotlight on improvisation, part 3: an interview with Jason Roberts
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Barbara A. Black
On Teaching: Barbara A. Black
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August 2026
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