Schantz organ, Martin Luther College, New Ulm, MN Cover Feature: Schantz Organ Company 150th anniversary
With Ray Cornils after performing on the Kotzschmar organ, 2016 Going Places: an interview with Katelyn Emerson
1953 harpsichord class: Jill Severs, Silvie Spycket, Ruggero Gerlin, Huguette Dreyfus, Jacqueline Masson, Accademia Chigiana, Siena, 1953 (Photo courtesy of Jill Severs) The life of French harpsichordist Huguette Dreyfus, Part 1: Genesis of an artist
Wolff organ, St. Paul Lutheran, Durham, NC (photo credit: John Bishop) In the Wind: Why sell an organ?
Paul Fritts & Company Opus 20, Princeton Theological Seminary On Teaching: Peformance and Performance Art
Max Reger during a recording session in 1913 playing a Welte Philharmonic organ Performance practice in Max Reger’s Phantasie und Fuge über B-A-C-H, opus 46
Ortloff Opus 2, St. Dunstan's Episcopal Church (photo credit: Terry Rogers) In the Wind: pipe organ placement
1711–1714 Gottfried Silbermann organ, Freiberg Dom (photo credit: William Van Pelt) The Sound of Gottfried Silbermann, Part 2
Louis Vierne at the Wanamaker Store organ, New York City Sequential chromaticism and “modal mixture” in Louis Vierne’s “Toccata”
Organbuilders under 40 at the 2022 convention of the AIO (photo credit: The American Institute of Organbuilders) In the Wind: a new generation of organ builders
M. P. Rathke Opus 12, Grace Episcopal Church (photo credit: Regina Newport) Cover Feature: M. P. Rathke Opus 12
Schoenstein & Co. organ, Saint Alban’s Episcopal Church, Waco, Texas New Organs: Schoenstein & Co., St. Alban's Episcopal, Waco
1709 Silbermann organ, Marmoutier, France (photo credit: William Van Pelt) The Sound of Gottfried Silbermann, Part 1
Rev. Jason Meyers presides over the rededication ceremony. Credit Joan Shaw. Carillon Profile: Massey/Drury Memorial Carillon
