Skip to main content

Jackson Borges

Jackson Borges
Jackson Borges

Jackson Borges is Organist & Minister of Music for Statesboro First United Methodist Church and adjunct professor of music at Georgia Southern University in Statesboro, Georgia.  Prior to his appointment, Jackson held positions with the Episcopal Parish of All Saints’ Church & St. George’s Chapel in Rehoboth Beach, Delaware, as well as The Princeton Girl Choir, The American Boychoir, and Morristown United Methodist Church in New Jersey. 

In addition to his church music ministry, Jackson is a frequent recitalist and silent movie accompanist, both at home and abroad.  He has been heard in important venues such as Grace and St. Mary’s Cathedrals (San Francisco), the Spreckels Organ Pavilion (San Diego), Fourth Presbyterian Church (Chicago), Grace Church (Episcopal) and Central Synagogue (New York City), the Cathedral Basilica of the Sacred Heart and Princeton University (New Jersey), Trinity Church (Boston), Longwood Gardens and the Kimmel Center (Pennsylvania), and Khandallah Presbyterian Church (Wellington, New Zealand).  Jackson’s orchestral debut was made in 2005 as organ soloist for Joseph Jongen’s monumental Symphonie Concertante with the University of Southern Mississippi Symphony.  He has also appeared in Europe as duet partner and vocalist with American concert organist Stephen Tharp and has premiered new organ works and transcriptions by American composers Stephen Tharp, Daniel E. Gawthrop, Carolyn Hamlin, and Jason Klein-Mendoza. 

Jackson is an accomplished chamber musician, continuo player, and accompanist, and has been heard in concert with members of the San Diego Symphony, San Diego Opera Chorus, Center City Chorale of Wilmington, Delaware, Delaware Symphony, Princeton Pro Musica, as well as numerous other professional organizations across the country. 

As a composer, Jackson has written works which range from those for solo organ, voice, and choir, as well as arrangements for choir, congregation, and instrumental ensembles.  His work “The St. George Responses” was given its first performance at St. George’s Chapel in Harbeson, Delaware on the Feast of the Epiphany, 2016. 

Jackson Borges is an active member of the American Guild of Organists (AGO) and has served on the executive boards of the Palomar and San Diego (CA) chapters, the Delaware chapter, and the Southern Delaware chapter.  He has taught at Pipe Organ Encounters (POE) and given workshops for the AGO on both coasts and has performed at regional and national conventions of both the AGO and the American Choral Directors Association (ACDA). 

As a vocalist, Jackson has performed in many important venues, such as Lincoln Center and Carnegie Hall with the New York Philharmonic Orchestra and Bavarian Radio Symphony Orchestra, under conductors Pierre Boulez, Mariss Janssons, Ton Koopman, and Kurt Mazur.  In the realm of musical and dramatic theatre, Jackson has appeared as pianist, music director, performer, and educator, both in academic and community settings. 

Jackson Borges holds degrees in organ performance from San Diego State University, Westminster Choir College, and The University of Alabama.  He has won top scholarship and competition awards from the American Guild of Organists, the Spreckels Organ Society, and the Pacific Council of Organ Clubs.  Jackson’s major teachers have included Robert Plimpton, Alan Morrison, Faythe Freese and the late Tom Hazleton, with additional instruction in improvisation from Bruce Neswick and Stephen Tharp.  He has participated in masterclasses and individual coaching sessions with Todd Wilson (Cleveland Institute of Music), Weston Noble (Luther College, Iowa), Vance George (San Francisco Symphony Chorus), John Ferguson (St. Olaf College), Pierre Pincemaille (Basilique St-Denis, Paris, France). 

He is exclusively represented by Concert Artist Cooperative, and more information may be found at his website, www.jacksonborges.com, and at www.concertartistcooperative.com.

Related Content

Faythe Freese

Faythe Freese
Faythe Freese

Faythe Freese, Professor of Organ Emeritus at the University of Alabama School of Music, is in demand as a recitalist throughout the United States, Germany, Denmark, South Korea, and Singapore. Dr. Freese is the recipient of the Indiana University Oswald Ragatz Distinguished Alumni Award for 2017. She is the first American woman to have recorded at L’Eglise de la Sainte-Trinité, Paris, on the landmark instrument where Guilmant, Messiaen, and Hakim were titular organists. Her fourth compact disc entitled Faythe Freese à l’Orgue de l’Eglise de la Sainte Trinité has received critical acclaim in The Diapason, The American Organist. and Tracker Magazine. Her fifth compact disc, recorded at Magdeburg Cathedral, Germany, entitled The Freese Collection, is Dr. Freese’s most recent release. The solo organ work entitled The Freese Collection, a work by Dr. Pamela Decker, was commissioned and premiered by Dr. Freese in January 2013. Dr. Freese has also commissioned the following new works for solo organ: Passacaglia on BACH by Pamela Decker, To Call My True Love to My Dance by Naji Hakim, and Out of Egypt by John Baboukis.

Dr. Freese lived in Magdeburg, Germany for over three months in spring 2015 during her sabbatical and played and performed on over fifty historic organs in nine countries. She collaborated with early performance practice experts such as Ton Koopman, Montserrat Torrent, Pieter van Dijk, Aude Heutermatte, and João Vaz on period repertoire. Her most recent recitals upon her return incorporated the historic repertoire performed by Dr. Freese and were accompanied by a slide show of the historic instruments upon which she performed during her sabbatical.

She was a featured lecturer at the 2014 American Guild of Organists national convention in Boston, Massachusetts; and was a featured lecturer and concert artist at the 2010 AGO convention in Washington, D.C.; the 2011 AGO Region IV convention in Greensboro, NC; the 2001 AGO Region VII convention in San Antonio, TX.; and the 2011 Association of Lutheran Church Musicians biennial convention. Dr. Freese’s performances have been hailed as “powerful …masterful… impressive … brilliant.” Dr. Freese was also director, faculty, and featured performer at the 2017 Birmingham Pipe Organ Encounter (POEA), the 2017 Atlanta POE-Tech, the 2017 Hartford POE, the 2016 Atlanta POE, the 2011 Boston POEA, the 2011 Birmingham POE, the 2012 Gainsville POE, and the 2004 Atlanta POE. She was invited to review the concerts for the 2018 Kansas City national convention. In 2018, Dr. Freese recorded The Freese Collection on the compact disc entitled Museum of the Dance, Volume 4 of Decker Plays Decker (2019 release, Loft Recordings).

Dr. Freese holds degrees in organ performance and church music from Indiana University. She has held faculty positions at Indiana University, Concordia University in Austin, University of North Dakota-Williston, and Andrew College. As a Fulbright scholar and an Indiana University/Kiel Ausstausch Programme participant, she studied the works of Jean Langlais with the composer in France, and the works of Max Reger with Heinz Wunderlich in Germany. Her organ teachers have included Marilyn Keiser, Robert Rayfield, William Eifrig, and Phillip Gehring. She has coached with Dame Gillian Weir, Simon Preston, and Daniel Roth.

The following compact discs are available by contacting emailing Faythe Freese. 
The Freese Collection, Raven, Raven OAR-948
Faythe Freese à l’Orgue de l’Eglise de la Sainte Trinité, JAV173 
Roaring Ranks with Faythe Freese, Arkay AR6176
Sowerby at Trinity, Albany Records Troy 368 
Faythe Freese in Concert, Arkay AR6174

Dr. Freese is the author of publications: Five Chorale Preludes & Free Hymn Accompaniments; Sunday Morning Organist: A Survivor’s Guide for the Pianist; and Sonus Novus: Intonations and Harmonizations (Concordia Publishing House). 

Watch Dr. Freese's video of Naji Hakim's To Call My True Love to My Dance, performed on the Frobenius organ at Christianskirken, Fredericia, Denmark:  https://www.youtube.com/watch?v=FjOiz58xWY8

Faythe Freese is a member of Concert Artist Cooperative.

Nunc dimittis: David Barnett, James Litton, Wayne Riddell, Ned Rorem, Frederick Swann

Default

David Martin Barnett

David Martin Barnett, 75, of Richmond, Virginia, died November 8, 2022. Born on December 6, 1946, he led a varied career in advertising, broadcasting, computers, welfare agencies, and administration of churches and non-profit organizations, including positions as building administrator of Second Presbyterian Church, Richmond, 2009–2014; and as facilities manager of St. James’s Episcopal Church, Richmond, 2010–2013.

Barnett served as treasurer of the Organ Historical Society from 1983 until 2010 and managed the OHS catalog between 2007 and 2010. He was vice president and operations manager of Duboy Advertising, 1974–1999, a Richmond firm specializing in advertising via broadcast media for automobile dealers nationwide. There, he wrote and produced more than 10,000 radio and television commercials for hundreds of clients. Barnett also operated DMB & Co., 1988–2011, designing and building computers and networks for small businesses and homes.

From 1965 until 1986, Barnett was weekend news anchor at radio station WLEE in Richmond and from 1965 until 1970 was announcer, studio engineer, traffic manager, and sales manager at radio station WFMV, Richmond’s classical music FM station. In 1964 and 1965, he worked at the Richmond Times-Dispatch as a newsroom copy boy. 

As an audio components salesman, Barnett was employed between 1969 and 1975 by Audio Fidelity Corporation, a central Virginia audio salon. Between 1970 and 1974, he worked for the City of Richmond as a welfare eligibility technician, supervisor, and child welfare eligibility supervisor, and in a similar role in 1972 for the state. He attended the University of Richmond following graduation from George Wythe High School in 1964.

Barnett served as an officer or member of the National Trust for Historic Preservation, Theatre Historical Society of America, American Theatre Organ Society (several chapters), Organ Historical Society, Cinema Organ Society (UK), Association for the Preservation of Virginia Antiquities, and Virginia Museum of Fine Arts. He volunteered extensively for the Mosque Theater (now the Landmark Theatre) and the Byrd Theatre, where he served as announcer beginning in 1982. 

With friends, Barnett installed a nine-rank Wurlitzer organ in his Richmond home. Following closure of Monumental Episcopal Church, Richmond, he helped renovate the 1926 Skinner Organ Company Opus 574 before it was relocated in 1975 to St. Bridget’s Catholic Church, Richmond, and subsequently was incorporated into the organ completed in 2014 by Kegg Pipe Organ Builders at the Cathedral of the General Church of the New Jerusalem, Bryn Athyn, Pennsylvania.

James H. Litton

James H. Litton, 87, died November 1, 2022, in Florham Park, New Jersey. He was born December 31, 1934, in Charleston, West Virginia. Recognizing his talent and passion for music, his parents purchased a piano and provided piano lessons at the Mason College of Music and Fine Arts in Charleston. His piano teacher encouraged him to progress to the organ, securing him a position as his assistant organist at a local church to get access to a practice instrument. That teacher later convinced him to pursue his college education at Westminster Choir College, Princeton, New Jersey, studying with Alexander McCurdy. He earned bachelor’s and master’s degrees in music and continued postgraduate studies at Canterbury Cathedral in England with Allan Wicks.

Litton’s choral music career spanned more than 60 years, serving as organist, choirmaster, and music director at the American Boychoir School, Princeton, New Jersey; Washington National Cathedral, Washington, DC; St. Bartholomew’s Church, New York City; Trinity Episcopal Church, Princeton; Christ Church Cathedral, Indianapolis, Indiana; and Trinity Episcopal Church, Southport, Connecticut. He also served as organist at several churches during his graduate and undergraduate studies at Westminster Choir College (now Rider University) and while in high school.

Litton toured with his various choirs and led choral festivals worldwide. He prepared his choirs for performances of major works with many of the world’s orchestras and for several dozen recordings, including a track with the American Boychoir on a platinum album by Michael W. Smith, Go West Young Man. As organist, Litton played organ recitals throughout the United States, Canada, Europe, South Africa, and Asia.

Litton was assistant professor of organ and head of the church music department at Westminster Choir College and the C. F. Seabrook Director of Music at Princeton Theological Seminary. He also served as visiting lecturer at Virginia Theological Seminary, Alexandria, and at Sewanee: The University of the South.

A Fellow of the Royal School of Church Music, Litton was awarded honorary Doctor of Music degrees from the University of Charleston and from Westminster Choir College of Rider University. The Litton-Lodal music directorship of the American Boychoir School was endowed by a gift from Jan and Elizabeth Lodal in honor of his career.

As a member and vice chairman of the Episcopal Church’s Standing Commission on Church Music, he participated in the preparation and publication of The Hymnal 1982. He was also the editor of The Plainsong Psalter for the Episcopal Church. Litton was a co-founder in 1966 and former president of the Association of Anglican Musicians. He also founded choral ensembles in West Virginia, Connecticut, Indiana, New Jersey, and New York.

James Litton met his late wife, Lou Ann, in seventh grade in Charleston, West Virginia, brought together by their mutual love of music. They married after graduating from college in 1957. 

James H. Litton was predeceased by his wife Lou Ann. He is survived by his son Bruce Litton and daughter-in-law Patricia of Bedminster, New Jersey; daughter Deborah Purdon of Maplewood, New Jersey; son David Litton and daughter-in-law Carol Dingeldey of West Hartford, Connecticut; and son Richard Litton and daughter-in-law Alysia of Wall Township, New Jersey; sister Betty Ray of Charlottesville, Virginia; and three grandchildren. A funeral was held on November 12 at Trinity Church, Princeton. Burial will take place at a later date at the Church of St. Mary the Virgin in the village of Litton in Somerset County and the Diocese of Bath and Wells in England. Memorial gifts may be made to the Association of Anglican Musicians James Litton Grant for Choral Training (anglicanmusicians.org/litton-gift) and the Alzheimer’s Association (alz.org).

Wayne Kerr Riddell

Wayne Kerr Riddell, 86, died November 6, 2022. Born September 10, 1936, in Lachute, Québec, Canada, he began playing organ in the local United Church when he was 14. Graduating in 1960 from McGill University, Montréal, he taught music and singing in the public school system. In 1968 he joined McGill’s faculty, where he taught keyboard harmony, ear training, and choral conducting, and was head of choral studies. At the same time, he worked in church music for congregations including Westmount Park Church, Erskine United Church, and American United Church. For 14 years he was director of music at the Church of St. Andrew and St. Paul. In 1976, he founded The Tudor Singers, a professional choir that toured the United States, Canada, and Europe. McGill University awarded him a Doctor of Music degree in 2014. He would serve as competition adjudicator, choral workshop clinician, guest conductor, mentor, and philanthropist. 

Wayne Kerr Riddell was predeceased by his life partner, Norman Beckow. A memorial service was held at the Church of St. Andrew and St. Paul on November 22. Memorial gifts may be given to the Wayne Riddell Choral Scholarship Fund, McGill University (mcgill.ca), or to the music program, the Church of St. Andrew and St. Paul, Montréal (standrewstpaul.com).

Ned Rorem

Ned Rorem, 99, died November 18, 2022, in New York, New York. He was born in Richmond, Indiana, on October 23, 1923. The family would move to Chicago where Rorem was educated at the University of Chicago Laboratory Schools and the American Conservatory of Music. He studied at Northwestern University before attending the Curtis Institute of Music, Philadelphia, and The Juilliard School, New York City. Rorem was raised a Quaker, and this influenced the composition of his organ work, A Quaker Reader, based on Quaker texts.

In 1966 he published The Paris Diary of Ned Rorem. This was followed by Later Diaries 1951–1972 in 1974 and The Nantucket Diary of Ned Rorem, 1973–1985 in 1987. Rorem wrote essays collected in the anthologies Music from Inside Out (1967), Music and People (1968), Pure Contraption (1974), Setting the Tone (1983), Settling the Score (1988), and Other Entertainment (1996). He was the subject of a 2005 film, Ned Rorem: Word & Music. He composed in a wide variety of genres, including operas, orchestral, and chamber music. He also wrote extensively for organ and organ with choral and orchestral forces.

Ned Rorem was predeceased by his life partner, organist James Roland Holmes, in 1999.

Frederick Lewis Swann

Frederick Lewis Swann, 91, died November 13, 2022. Born July 30, 1931, in Lewisburg, West Virginia, he was the son of a Methodist pastor (and later bishop). He began taking piano lessons at age five from the organist at Market Street Methodist Church, Winchester, Virginia, and soon thereafter began taking organ lessons. He began playing his first church services at age ten at Braddock Street Methodist Church, Winchester, where his father was pastor.

Swann’s family moved to Staunton, Virginia, in 1943, and Frederick continued organ study with Carl Broman. After graduating from high school, Swann entered the School of Music at Northwestern University, Evanston, Illinois, studying with Thomas Matthews and John Christensen. Upon graduation, he attended the School of Sacred Music at Union Theological Seminary in New York City, studying with Hugh Porter and Charles M. Courboin. After serving as interim organist at Brick Presbyterian Church during the illness of Clarence Dickinson and serving as Harold Friedell’s assistant at St. Bartholomew’s Church, Swann entered the United States Army for two years.

From 1952 until 1982, Swann worked for The Riverside Church, New York City, first as a substitute organist for Virgil Fox and then appointed organist in 1957. With the retirement of Richard Weagly as choir director in 1966, Swann became director of music and organist through 1982.

At that time, Swann was appointed director of music and organist at the Crystal Cathedral (now Christ Cathedral), Garden Grove, California, where he conducted the choir and presided over the five-manual, 265-rank Hazel Wright organ, appearing weekly on the internationally televised Hour of Power worship services. In 1988, Swann became organist of First Congregational Church, Los Angeles, which houses the largest church organ in the world, serving there until 2001.

Frederick Swann performed recitals throughout North America, Europe, South America, and Asia, including such venues as Notre Dame Cathedral, Paris; St. Paul’s Cathedral and Westminster Abbey, London; and the cathedrals of Cologne and Passau in Germany. His accomplishments include more than 3,000 recitals in all 50 of the United States and 12 other countries, including events dedicating new, rebuilt, and restored instruments. He performed with orchestras such as the Chicago Symphony Orchestra and the San Francisco Symphony. Swann announced his retirement as a concert organist with a series of programs beginning in August 2016 at age 85. He would continue to serve as artist-in-residence at St. Margaret’s Episcopal Church, Palm Desert, California. For decades he was represented in North America by Karen McFarlane Artists, Inc.

Swann served on the adjunct faculties of the Guilmant Organ School, Union Theological Seminary School of Sacred Music, and Teacher’s College of Columbia University, all in New York City. He also served on the faculty of Manhattan School of Music and was the school’s organ department chair. From 2007 until 2018, he was university organist and artist teacher of organ at University of Redlands in California.

Swann was active in the American Guild of Organists, serving in various capacities including the organization’s president from 2002 until 2008. Also in 2002, he was named International Performer of the Year by the New York City AGO Chapter. At the 2010 AGO national convention in Washington, DC, he was presented the Edward A. Hansen Leadership Award. In 2015, the Royal Canadian College of Organists named Swann a Fellow, honoris causa, and in 2018 the AGO honored him as the organization’s first honoris causa recipient of its Fellow certificate (FAGO). Swann received the honorary Doctor of Music degree from University of Redlands upon his retirement in 2018.

Frederick Swann published more than three dozen anthems for choir, as well as organ works based on hymntunes. Perhaps his best-known composition is his Trumpet Tune in D Major. Swann’s discography of organ and choral recordings includes albums featuring the organs of The Riverside Church, Crystal Cathedral, First Congregational Church of Los Angeles, and the Basilica of the National Shrine of the Immaculate Conception.

For more information, see Steven Egler’s interview, “A conversation with Frederick Swann, Crown Prince of the King of Instruments,” in the November 2014 issue, pages 20–24.

A memorial service for Frederick Lewis Swann will take place January 25, 10:30 a.m., at St. Margaret’s Episcopal Church, Palm Desert, California. Memorial gifts may be made to The American Guild of Organists Frederick Swann Scholarship, The American Guild of Organists Herrmann/Swann Fund (agohq.org), or to the Fred Swann Music Endowment, St. Margaret’s Episcopal Church, Palm Desert, California (stmargarets.org).

Isabelle Demers

Isabelle Demers (photo credit: Abi Poe)
Isabelle Demers (photo credit: Abi Poe)

"There is no shortage of organists who make their instruments roar; and while her power was never in question, 
Demers made the instrument sing.” (Peter Reed, Classical Source.com, England, 2016) 

With playing described as having “bracing virtuosity” (Chicago Classical Review) and being “fearless and extraordinary” (Amarillo-Globe News), organist Isabelle Demers has enraptured critics, presenters, and audience members around the globe for her entrancing performances. Her 2010 recital for the joint International Society of Organbuilders-American Institute of Organbuilders convention so enchanted the audience that she “left the entire congress in an atmosphere of ‘Demers fever’.” That same year, her recital at the national convention of the American Guild of Organists, in Washington, D.C., was received with great acclaim not only by critics, who deemed it “one of the most outstanding events of the convention” (The American Organist), but also by the standing-room-only audience, which called her back to the stage five times.

She has appeared in recital at the cathedrals of Cologne and Regensburg (Germany), the ElbPhilharmonie (Hamburg), St. Paul’s Cathedral, Westminster Cathedral, Westminster Abbey, and the Royal Festival Hall (London), the Royal Opera House of Muscat (Oman), Melbourne Town Hall (Australia), Auckland Town Hall (New Zealand), as well as major universities and concert halls in the United States, among them Davies Hall (San Francisco), Disney Hall (Los Angeles), the Kimmel Center (Philadelphia), the Wanamaker Organ (Philadelphia), Yale University, the Eastman School of Music, Benaroya Hall (Seattle), Spivey Hall (Georgia), and the Spreckels Pavilion (San Diego).

Ms. Demers is in continual demand by her fellow colleagues as witnessed by repeat performances for regional and national conventions of the American Guild of Organists (Minneapolis, 2008; Washington D.C., 2010; Hartford, 2013; Austin, 2013; Indianapolis, 2015; Houston, 2016), the joint convention of the American Institute of Organ Builders and International Society of Organbuilders (Montréal, 2010), the Royal Canadian College of Organists (Toronto, 2009; Kingston, Ontario, 2016), and the Organ Historical Society (Vermont, 2013 and Minnesota, 2017).

Her debut recording on Acis label was met with critical acclaim. On a recent broadcast of Pipedreams, radio host Michael Barone featured the Fugue from Reger's Opus 73, describing it as "a masterful score, here masterfully played," and Isabelle Demers as, “definitely a talent to watch, to hear.” The RSCM's Church Music Quarterly awarded the “exciting, expressive and successful” recording its highest recommendation for its “profound and searching” performances. Fanfare Magazine proclaimed the “superbly produced” and “clear, tightly focused” recording as a “brilliantly played program.” Her second disc, featuring the organ works of Rachel Laurin, was released in June 2011, and her recording of Max Reger’s Seven Chorale-Fantasias in November 2012. Her fourth CD, Bach, Bull, and Bombardes (Pro Organo), was released in May 2013, and includes works of Bach, Bull, Reger, Widor, Tremblay, Mendelssohn, Daveluy, and Thalben-Ball. She also appears as solo organ accompanist in a recording of Maurice Duruflé’s Requiem with the Baylor University Choir, recorded at Duruflé’s church, St. Étienne-du-Mont, in Paris. Her latest CD, recorded at Chicago’s Rockefeller Chapel, was released in January 2020, and includes works of Reger, Laurin, Dupré, Mendelssohn, Tchaikovsky, and Macmillan. 

A native of Québec and a doctoral graduate of the Juilliard School, Dr. Demers is the newly-appointed Associate Professor of Organ at McGill University (Montréal, Québec). She was formerly the Joyce Bowden Chair in Organ and Head of the Organ Program at Baylor University (Waco, Texas). 

Isabelle Demers is represented in North America exclusively by Phillip Truckenbrod Concert Artists, LLC
www.concertartists.com
E-mail:  [email protected]
Phone: 860/560-7800
10 Abbott Lane, Dearborn, MI 48120-1001

Current Issue