Faythe Freese, Professor of Organ Emeritus at the University of Alabama School of Music, is in demand as a recitalist throughout the United States, Germany, Denmark, South Korea, and Singapore. Dr. Freese is the recipient of the Indiana University Oswald Ragatz Distinguished Alumni Award for 2017. She is the first American woman to have recorded at L’Eglise de la Sainte-Trinité, Paris, on the landmark instrument where Guilmant, Messiaen, and Hakim were titular organists. Her fourth compact disc entitled Faythe Freese à l’Orgue de l’Eglise de la Sainte Trinité has received critical acclaim in The Diapason, The American Organist. and Tracker Magazine. Her fifth compact disc, recorded at Magdeburg Cathedral, Germany, entitled The Freese Collection, is Dr. Freese’s most recent release. The solo organ work entitled The Freese Collection, a work by Dr. Pamela Decker, was commissioned and premiered by Dr. Freese in January 2013. Dr. Freese has also commissioned the following new works for solo organ: Passacaglia on BACH by Pamela Decker, To Call My True Love to My Dance by Naji Hakim, and Out of Egypt by John Baboukis.
Dr. Freese lived in Magdeburg, Germany for over three months in spring 2015 during her sabbatical and played and performed on over fifty historic organs in nine countries. She collaborated with early performance practice experts such as Ton Koopman, Montserrat Torrent, Pieter van Dijk, Aude Heutermatte, and João Vaz on period repertoire. Her most recent recitals upon her return incorporated the historic repertoire performed by Dr. Freese and were accompanied by a slide show of the historic instruments upon which she performed during her sabbatical.
She was a featured lecturer at the 2014 American Guild of Organists national convention in Boston, Massachusetts; and was a featured lecturer and concert artist at the 2010 AGO convention in Washington, D.C.; the 2011 AGO Region IV convention in Greensboro, NC; the 2001 AGO Region VII convention in San Antonio, TX.; and the 2011 Association of Lutheran Church Musicians biennial convention. Dr. Freese’s performances have been hailed as “powerful …masterful… impressive … brilliant.” Dr. Freese was also director, faculty, and featured performer at the 2017 Birmingham Pipe Organ Encounter (POEA), the 2017 Atlanta POE-Tech, the 2017 Hartford POE, the 2016 Atlanta POE, the 2011 Boston POEA, the 2011 Birmingham POE, the 2012 Gainsville POE, and the 2004 Atlanta POE. She was invited to review the concerts for the 2018 Kansas City national convention. In 2018, Dr. Freese recorded The Freese Collection on the compact disc entitled Museum of the Dance, Volume 4 of Decker Plays Decker (2019 release, Loft Recordings).
Dr. Freese holds degrees in organ performance and church music from Indiana University. She has held faculty positions at Indiana University, Concordia University in Austin, University of North Dakota-Williston, and Andrew College. As a Fulbright scholar and an Indiana University/Kiel Ausstausch Programme participant, she studied the works of Jean Langlais with the composer in France, and the works of Max Reger with Heinz Wunderlich in Germany. Her organ teachers have included Marilyn Keiser, Robert Rayfield, William Eifrig, and Phillip Gehring. She has coached with Dame Gillian Weir, Simon Preston, and Daniel Roth.
The following compact discs are available by contacting emailing Faythe Freese.
The Freese Collection, Raven, Raven OAR-948
Faythe Freese à l’Orgue de l’Eglise de la Sainte Trinité, JAV173
Roaring Ranks with Faythe Freese, Arkay AR6176
Sowerby at Trinity, Albany Records Troy 368
Faythe Freese in Concert, Arkay AR6174
Dr. Freese is the author of publications: Five Chorale Preludes & Free Hymn Accompaniments; Sunday Morning Organist: A Survivor’s Guide for the Pianist; and Sonus Novus: Intonations and Harmonizations (Concordia Publishing House).
Watch Dr. Freese's video of Naji Hakim's To Call My True Love to My Dance, performed on the Frobenius organ at Christianskirken, Fredericia, Denmark: https://www.youtube.com/watch?v=FjOiz58xWY8
Faythe Freese is a member of Concert Artist Cooperative.