Skip to main content

New Taylor & Boody organ for Yale

Yale University

Beginning in October, Yale will inaugurate its new Taylor & Boody organ with a yearlong festival of recitals, services, concerts, and lectures featuring some of Yale’s finest musicians and numerous distinguished guests. The beautiful new addition to Yale’s collection of musical instruments represents the culmination of nearly ten years of planning at the Yale Institute of Sacred Music.


The first major pipe organ built at Yale in over 35 years, this new instrument in Marquand Chapel fits into the celebrated collection of existing organs on Yale’s campus, complementing without duplicating their strengths. It is tuned in meantone temperament, a tuning system prevalent in the seventeenth century. This tuning system allows certain harmonies to sound “sweeter” or more “pure” and others to sound more dissonant or “active.” In the new Taylor and Boody organ, Yale now has an instrument – one of only a very few in the world – ideally suited and with the acoustical resources for the performance of music of earlier periods in a manner that is historically authentic. The organ, however, is not limited to music of a particular historical period.


The yearlong series of free events, entitled Fanfare!, to inaugurate the new organ will include recitals by Harald Vogel, Martin Jean, Ja Kyung Oh, and William Porter. Matthew Suttor’s Syntagma, commissioned by the Yale Institute of Sacred Music for the occasion, will be premiered in October. Harald Vogel and Ross Duffin will both offer lectures in the autumn, and concerts by Yale Schola Cantorum, conducted by Simon Carrington, with guest ensemble Piffaro Renaissance Band and by the mezzo-soprano Judith Malafronte and others performing music of the Italian Renaissance, will round out the season.

For more information, see http://www.yale.edu/ism/events/MarquandOrganIntro.html.

Related Content

Interaction between Organ and Voice is Topic of 2016 EROI Festival

Event Month & Year

The 2016 EROI (Eastman Rochester Organ Initiative) Festival will explore historical, conceptual, and practical aspects of the interaction between organ and voice from October 26 through 28 at the University of Rochester’s Eastman School of Music. Titled “Breath for Singing: The Organ and the Human Voice,” the festival also features the premiere performance of a new hymn commissioned for the conference, with text by Yale theologian and poet Thomas Troeger and music by internationally recognized composer Nico Muhly.

Current Issue