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May 2011

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Issue Content

New Organs

Lewis & Hitchcock, Inc.,
Beltsville, Maryland
Wesley United Methodist Church, Vienna, Virginia

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Cover feature

J.H. & C.S. Odell,
East Hampton, Connecticut
Scarborough Presbyterian Church, Scarborough, New York

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The Evolution of American Choral Music: Roots, Trends, and Composers before the 20th Century

The history of American choral music can be traced through the expansion of musical settings of liturgical words into the secular arena

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J. S. Bach’s English and French Suites with an emphasis on the Courante

Introduction

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Eighth International Organ and Early Music Festival, Oaxaca, Mexico, October 21–27, 2010

To honor the two most significant events in Mexican political history, the IOHIO (Institute of Historic Organs) presented its grandest festival yet, October 21–27, 2010 in Oaxaca, Mexico

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On Teaching

Buxtehude and Boëllmann—final thoughts (for now)
For the last year I have looked, in as much depth as space seemed to permit, at the process of studying and learning two contrasting and, I hope, complementary pieces—the Praeludium in E Major, BuxWV 141 by Dietrich Buxtehude, and the Suite Gothique, op. 25 by Leon Boëllmann. This month I will share a few thoughts about this project as a whole; then next month I will turn to something new.

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In the wind . . .

Organ tuning, temperament, and temperature

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Harpsichord News

Another member joins the harpsichordists’ century club

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Nunc Dimittis

Nancy Jane Blair, Rodney Alan Giles, James Noel Grenhart, Hugh Allen Wilson

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