The Guglielmi organ at Santa Maria in Vallicella in Rome has been restored by Fratelli Ruffatti. We discussed the instrument and its restoration in detail with organist Francesco Cera.
When completing his B-Minor Mass in 1748–49 why did Bach reuse a 35-year-old composition from the opening choral movement of cantata BWV 12, Weinen, Klagen, Sorgen, Zagen (Weeping, Lamenting, Worrying, Quaking), as the basis (parody) for his recomposed setting for the Crucifixus?
The learning of a new complex organ score of Romantic and possibly contemporary music (the eras addressed here) either sinks or swims, because of fingerings.
Last month I wrote about the history of the Wanamaker Organ, that iconic instrument. This month I share my reflections after spending 36 hours with the organ and the people around it.