Sitting under a shade tree in his backyard last summer, sipping iced tea with Charles and Birgitta Hendrickson, I asked him about his philosophy of organ building. His immediate answer was, “If I can make them [the congregation] sing, I have succeeded.” To make them sing—what a fine goal!
Bach’s aptly titled Chromatic Fantasia and Fugue in D Minor, BWV 903, is a composition for keyboard—clavichord, harpsichord, or pianoforte—that appears to have originated in the course of the composer’s tumultuous transition from Weimar to Cöthen in 1717.