The sights and sounds of Italy offer more inspiration than any score or treatise—they provide clues about the spirit of the music, where words and musical notation fall miserably short
What if I told you that there is surviving Italian organ music as splendid as Giovanni Gabrieli’s In Ecclesiis and as ethereal as Gregorio Allegri’s Miserere? A few months ago, I would not have believed it either. In fact, I was under the impression that compared to Italy’s glorious tradition of ensemble music, its organ music was of lesser importance, and its historical organs were pretty but small.
In our field, there are many great teachers at the ends of the careers, but happily there are equally great young people taking their positions and continuing their traditions