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New Organs

March 19, 2003
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Rosales Organ Builders, Inc., Los Angeles, CA, has built a new organ, op. 17, for King of Glory
Lutheran Church, Dallas, TX: 32 stops, 37 voices, 48 ranks, 2,683 pipes. The organ features a detached console with 61/32 compass, mechanical key action, electric stop action, and a multi-level combination system. Wind pressures are
31/2" manuals, and 41/2" pedals. Additional features include
Cymbelstern, Nightengale, manual tremolo, pedal tremolo, and wind stabilizer
cut-out.

GREAT

                  16' style='mso-tab-count:1'>          Prestant (façade pipes)

                  8' style='mso-tab-count:1'>             Principal I-II (rank II 25-49)

                  8' style='mso-tab-count:1'>             Flûte harmonique

                  8' style='mso-tab-count:1'>             Chimney Flute

                  4' style='mso-tab-count:1'>             Octave

                  4' style='mso-tab-count:1'>             Spire Flute

                  22/3' style='mso-tab-count:1'>      Octave Quint

                  2' style='mso-tab-count:1'>             Super Octave

                  13/5' style='mso-tab-count:1'>      Tierce (narrow
scale)

                  VI style='mso-tab-count:1'>            Mixture

                  8' style='mso-tab-count:1'>             Trumpet

                  4' style='mso-tab-count:1'>             Clarion

SWELL

                  16' style='mso-tab-count:1'>          Bourdon (wood & metal)

                  8' style='mso-tab-count:1'>             Geigen Principal

                  8' style='mso-tab-count:1'>             Voix céleste (t.c.)

                  8' style='mso-tab-count:1'>             Gedeckt (wood & metal)

                  4' style='mso-tab-count:1'>             Principal

                  4' style='mso-tab-count:1'>             Flûte traversière (wood & metal)

                  22/3' style='mso-tab-count:1'>      Nasard

                  2' style='mso-tab-count:1'>             Doublet

                  13/5' style='mso-tab-count:1'>      Tierce (wide
scale)

                  IV style='mso-tab-count:1'>            Mixture

                  16' style='mso-tab-count:1'>          Bassoon

                  8' style='mso-tab-count:1'>             Trumpet

                  8' style='mso-tab-count:1'>             Hautbois

                  8' style='mso-tab-count:1'>             Cromorne

SOLO

                  V style='mso-tab-count:1'>              Solo Cornet (from g20, mounted)

                                    Preparation
for additional stops

PEDAL

                  16' style='mso-tab-count:1'>          Prestant (from Great-wood & metal)

                  16' style='mso-tab-count:1'>          Subbass (wood)

                  8' style='mso-tab-count:1'>             Octave

                  8' style='mso-tab-count:1'>             Bourdon (ext. Subbass)

                  4' style='mso-tab-count:1'>             Super Octave (ext. Octave)

                  IV style='mso-tab-count:1'>            Mixture

                  16' style='mso-tab-count:1'>          Posaune

                  8' style='mso-tab-count:1'>             German Trumpet (ext. Posaune)

                  8' style='mso-tab-count:1'>             French Trumpet

                  4' style='mso-tab-count:1'>             Clarion (ext. French Trumpet)

Austin Organs, Inc.,
has recently completed the installation of Opus 2750 for Christ Evangelical
Lutheran Church, Lewisburg, PA. The organ enjoys ideal placement left of the
altar area, immediately behind the choir loft. The design and subsequent
building of the new organ casework was done as a joint effort between Austin
Organs, Inc. and local craftsmen. The console is a three-manual stopkey style
with an oak case. Action is electro-pneumatic in the standard of the Austin
Universal Air-chest System.

GREAT

                  16' style='mso-tab-count:1'>          Violone

                  8' style='mso-tab-count:1'>             Principal

                  8' style='mso-tab-count:1'>             Bourdon

                  8' style='mso-tab-count:1'>             Violone

                  4' style='mso-tab-count:1'>             Octave

                  4' style='mso-tab-count:1'>             Nachthorn

                  22/3' style='mso-tab-count:1'>      Twelfth

                  2' style='mso-tab-count:1'>             Super Octave

                  IV style='mso-tab-count:1'>            Fourniture

                  8' style='mso-tab-count:1'>             Trompete

                                    Chimes

SWELL

                  16' style='mso-tab-count:1'>          Gedeckt

                  8' style='mso-tab-count:1'>             Rohrflöte

                  8' style='mso-tab-count:1'>             Viola

                  8' style='mso-tab-count:1'>             Viola Celéste TC

                  4' style='mso-tab-count:1'>             Principal

                  4' style='mso-tab-count:1'>             Harmonic Flute

                  22/3' style='mso-tab-count:1'>      Nazard

                  2' style='mso-tab-count:1'>             Block Flute

                  13/5' style='mso-tab-count:1'>      Tierce TC

                  III style='mso-tab-count:1'>            Mixture

                  16' style='mso-tab-count:1'>          Basson

                  8' style='mso-tab-count:1'>             Trompette

                  8' style='mso-tab-count:1'>             Hautbois

                  4' style='mso-tab-count:1'>             Rohrschalmei

                  8' style='mso-tab-count:1'>             Vox Humana

                                    Tremulant

POSITIV

                  8' style='mso-tab-count:1'>             Holzgedeckt
TC

                  8' style='mso-tab-count:1'>             Dolce

                  4' style='mso-tab-count:1'>             Koppelflöte

                  2' style='mso-tab-count:1'>             Principal

                  11/3' style='mso-tab-count:1'>      Quinte

                  1' style='mso-tab-count:1'>             Sifflöte

                  III style='mso-tab-count:1'>            Zimbel

                  8' style='mso-tab-count:1'>             Cromorne

                                    Temulant

                                    Zimbelstern

PEDAL

                  32' style='mso-tab-count:1'>          Resultant

                  16' style='mso-tab-count:1'>          Principal

                  16' style='mso-tab-count:1'>          Violone

                  16' style='mso-tab-count:1'>          Gedeckt

                  8' style='mso-tab-count:1'>             Octave

                  8' style='mso-tab-count:1'>             Gedeckt

                  4' style='mso-tab-count:1'>             Choral
Bass

                  4' style='mso-tab-count:1'>             Koppelflöte

                  III style='mso-tab-count:1'>            Mixture

                  16' style='mso-tab-count:1'>          Posaune

                  8' style='mso-tab-count:1'>             Trompete

                  4' style='mso-tab-count:1'>             Cromorne

J.F. Nordlie Company,
Sioux Falls, SD, has built a new organ, opus 31, for Sankte Georg Kapelle at
The Little World of Man Museum in Inuyama-shi, Aichi-ken, Japan. The museum includes a 7/10 scale replica of the Unter-Ammergau church in its Bavarian Village display. The room has a richly frescoed barrel-vault ceiling, three polychromed and gilded altar pieces, wood and plaster carvings in high baroque and rococo styles, a quarry-tiled floor and excellent acoustics. The case design and stoplist imitate South German prototypes from the mid 18th-century. High baroque design and artistry guided decisions about case shape (a central void between the bass towers frames the west window) and details (moldings copied from organs in Innsbruck, carvings and paint colors found in numerous Bavarian and Tyrolean kirchen). Mechanical key and stop actions; flexible wind by a single-fold wedge reservoir, curtain valve and feeder bellow or high speed
electric blower; wind pressure 55 mm; 168 metal pipes of 80% tin, 24 wood
basses of American black walnut; casework of painted poplar and oiled white
oak, with gilded moldings (23k goldleaf) and carvings (poplar); keydesk of
black walnut with ebony and boxwood-plated carved sugar pine keyboard, carved
walnut keycheeks, gilded keyheads, 8 bone-studded boxwood drawknobs; burl elm
music desk; maple and walnut-plated white oak pedal keys (having antique
sharpkey profile). Compass 54/27.

MANUAL

                  8' style='mso-tab-count:1'>             Holz Gedackt (bass)

                  8' style='mso-tab-count:1'>             Rohrflöte (treble)

                  4' style='mso-tab-count:1'>             Prinzipal (treble & bass)

                  4' style='mso-tab-count:1'>             Nasat (treble)

                  2' style='mso-tab-count:1'>             Oktave (bass & treble)

PEDAL

                  pulldown
to manual keys, with pedal check

Bedient Pipe Organ Company, Lincoln, NE, has built its opus 43 for Christ Lutheran Church, also
of Lincoln. The organ features three stops, three ranks, and 168 pipes. The
case is of white oak with pipe shades of red gum; mechanical key and stop
actions. Organist is Marlene Hallstrom; pastor is The Rev. Tom Hallstrom. The
organ was displayed and used for workshops at the Dallas AGO convention, and
then moved to Grace Lutheran Church.

GREAT

                  8' style='mso-tab-count:1'>             Gedackt

                  4' style='mso-tab-count:1'>             Rohrflute

                  2' style='mso-tab-count:1'>             Praestant

PEDAL

                  Manual/Pedal

Kegg Pipe Organ Builders, Uniontown, OH, has built a new organ of 16 ranks for Trinity Lutheran
Church, Winfield, KS. The existing gallery chamber was rebuilt with sound
reflecting walls and the exterior was refinished in white to match the rear
wall. The Swell and Pedal Subbass were placed in the chamber; Pedal Principal
and Great Principal chorus were encased on top of the chamber. The standard
Kegg console is a terraced drawknob design with walnut interior, and fitted
with multiple memory SSL combination system. Manual keys are reversed color and
fitted with tracker touch; naturals are covered in ebony and sharps are covered
in walnut with bone caps. Pedal sharps are walnut. Console and case are of
white oak; the console is movable throughout the gallery. The dedication was
played by John Behnke, who also served as consultant to the church. The dedication also featured the church’s choirs under the direction of Sandy Yount, director of music, and Amy Haist. Norma Orr was chair of the organ committee. Organ construction and installation were by Charles Kegg, Frank Vinton and Lois Lee; tonal finishing was done by Charles Kegg and Frederick Bahr.

GREAT

                  16' style='mso-tab-count:1'>          Bourdon (ext)

                  8' style='mso-tab-count:1'>             Prinzipal

                  8' style='mso-tab-count:1'>             Koppelflöte (Sw)

                  8' style='mso-tab-count:1'>             Viola (Sw)

                  8' style='mso-tab-count:1'>             Viola Celeste (Sw)

                  4' style='mso-tab-count:1'>             Okave

                  4' style='mso-tab-count:1'>             Flöte (Sw)

                  2' style='mso-tab-count:1'>             Superoktave (ext)

                  IV style='mso-tab-count:1'>            Mixtur

                  8' style='mso-tab-count:1'>             Trompete (Sw)

                                    Chimes

                                    Gt/Gt
4'

                                    Sw/Gt
16' 8'

SWELL

                  8' style='mso-tab-count:1'>             Rohrflöte

                  8' style='mso-tab-count:1'>             Viola

                  8' style='mso-tab-count:1'>             Viola Celeste

                  4' style='mso-tab-count:1'>             Prinzipal

                  4' style='mso-tab-count:1'>             Koppelflöte

                  22/3' style='mso-tab-count:1'>      Nasat TC

                  2' style='mso-tab-count:1'>             Oktave (ext)

                  2' style='mso-tab-count:1'>             Flöte (ext)

                  13/5' style='mso-tab-count:1'>      Tierce (37 pipes)

                  11/3' style='mso-tab-count:1'>      Quint (ext)

                  16' style='mso-tab-count:1'>          Trompete

                  8' style='mso-tab-count:1'>             Trompete (ext)

                  4' style='mso-tab-count:1'>             Clairon (ext)

                                    Tremulant

                                    Sw/Sw
16' 4'

PEDAL

                  16' style='mso-tab-count:1'>          Subbass

                  16' style='mso-tab-count:1'>          Bourdon (Gt)

                  8' style='mso-tab-count:1'>             Prinzipal

                  8' style='mso-tab-count:1'>             Subbass (ext)

                  4' style='mso-tab-count:1'>             Oktave (ext)

                  32' style='mso-tab-count:1'>          Harmonics (derived)

                  16' style='mso-tab-count:1'>          Trompete (Sw)

                  8' style='mso-tab-count:1'>             Trompete (Sw)

                  4' style='mso-tab-count:1'>             Clairon (Sw)

                                    Gt/Ped
8'

                                    Sw/Ped
8'

A. E. Schlueter Pipe Organ Sales and Service, Inc., Lithonia, GA, has built an organ for Covenant Presbyterian Church, Huntsville, AL. The new organ incorporates the 1968 Schantz organ opus 837 (II/13) from Grace Episcopal Church, Gainesville, GA. With the exception of the 16' octave of the Gemshorn, all of the Schantz
pipework was reused. New pipework was purchased from Giesecke-Colby, USA,
enlarging the instrument to 24 ranks. The console was rebuilt and additional
chestwork was constructed in Lithonia.

GREAT

                  8' style='mso-tab-count:1'>             Principal

                  8' style='mso-tab-count:1'>             Bourdon

                  8' style='mso-tab-count:1'>             Erzahler*

                  8' style='mso-tab-count:1'>             Erzahler Celeste TC*

                  4' style='mso-tab-count:1'>             Octave*

                  4' style='mso-tab-count:1'>             Spitzflote*

                  2' style='mso-tab-count:1'>             Waldflote

                  II style='mso-tab-count:1'>              Sesquialtera
TC*

                  III style='mso-tab-count:1'>            Mixture

                                    Gt/Gt
16-UO-4

                                    Sw/Gt
16-8-4

SWELL

                  8' style='mso-tab-count:1'>             Rohrflote/Gedeckt

                  8' style='mso-tab-count:1'>             Gemshorn

                  8' style='mso-tab-count:1'>             Gemshorn Celeste TC

                  4' style='mso-tab-count:1'>             Principal*

                  4' style='mso-tab-count:1'>             Koppelflote

                  2' style='mso-tab-count:1'>             Flote
(ext)

                  11/3' style='mso-tab-count:1'>      Quinte

                  III style='mso-tab-count:1'>            Plein Jeu*

                  16' style='mso-tab-count:1'>          Contra Fagot (ext)

                  8' style='mso-tab-count:1'>             Fagot

                  8' style='mso-tab-count:1'>             Oboe*

                  4' style='mso-tab-count:1'>             Oboe Schalmei (ext)

                                    Tremulant

                                    Sw/Sw
16-UO-4

PEDAL

                  16' style='mso-tab-count:1'>          Bourdon (ext-Gt)

                  16' style='mso-tab-count:1'>          Lieblich (ext-Sw)*

                  8' style='mso-tab-count:1'>             Principal

                  8' style='mso-tab-count:1'>             Flotenbass (Gt)

                  4' style='mso-tab-count:1'>             Choral Bass (ext)

                  16' style='mso-tab-count:1'>          Contra Fagot (Sw)

                                    Gt/Ped
8

                                    Sw/Ped
8

*Additions by A.E. Schlueter

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