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New Organs

January 4, 2005
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Fabry Inc., Fox Lake, Illinois

The Community Church, Ludington, Michigan

Fabry Inc. has been maintaining the church’s 3-manual,
27-rank Wicks pipe organ for the past ten years. After many years of service,
the mechanical relays and console contacts were failing. The constant
combination action troubles and dead notes due to contacts breaking in the
chamber relays made the instrument difficult to play. It was obvious that
contact replacement or a solid-state conversion was needed. The church elected
to convert the entire system to solid-state.

Fabry Inc. completed a total solid-state conversion of this
instrument with the addition of electric shade actions, electric tremolo units,
movable platform console, and new electric chime system. The entire wood
interior of the console has been replaced and fitted with an MSP-1000
microprocessor from Peterson. The console project also included full MIDI
resource system, sound module, speakers, and adjustable bench.

Fabry Inc. would like to thank Mr. Lee Shipman who
coordinated the entire project. David G. Fabry completed all the console
woodwork and installed the console microprocessor. Crew leader Joseph Poland
and David J. Fabry handled the installation of the remaining equipment.

--David J. Fabry

GREAT

8’            Open
Diapason

8’            Second
Diapason

8’            Doppel
Flute

8’            Viola
d’Gamba

8’            Gemshorn

4’            Octave

4’            Flute

4’            Gemshorn

22⁄3’     Twelfth

2’            Fifteenth

III              Mixture

8’            Trompete

                 Tremolo

                 Chimes

SWELL

16’         Lieblich
Gedeckt

8’            Open
Diapason

8’            Stopped
Flute

8’            Flauto
Traverso

8’            Salicional

8’            Aeoline

8’            Voix
Celeste

4’            Principal

4’            Flauto
Traverso

4’            Violina

4’            Flute
d’Amour

4’            Aeoline

22⁄3’     Nazard

2’            Piccolo

11⁄3’     Larigot

III              Harmonic
Aetheria

8’            Trumpet

8’            Oboe
Horn

8’            Vox
Humana

4’            Clarion

                 Tremolo

CHOIR

16’         Dulciana

8’            Geigen
Diapason

8’            Melodia

8’            Concert
Flute

8’            Gemshorn

8’            Dulciana

8’            Unda
Maris

4’            Prestant

4’            Open
Flute

4’            Dulciana

22⁄3’     Dulciana
Twelfth

2’            Dulciana
Fifteenth

13⁄5’     Dulciana

III              Dulciana

8’            French
Horn

8’            Clarinet

                 Tremolo

                 Chimes

                 Zimbelstern

PEDAL

32’         Untersatz

32’         Violone

16’         Violone

16’         Open
Diapason

16’         Bourdon

16’         Lieblich
Gedeckt

16’         Dulciana

8’            Octave

8’            Bass
Flute

8’            Flauto
Dolce

8’            Cello

8’            Dulciana

4’            Choral
Bass

III              Mixture

32’         Bombarde

16’         Trombone

8’            Trumpet

8’            Oboe

                 Chimes

Couplers

                 Great
16-UO-4              

                 Swell
16-UO-4

                 Choir
16-UO-4

                 Sw
to Gt 16-8-4

                 Ch
to Gt 16-8-4

                 Sw
to Ch 16-8-4

                 Gt
to Ch 8

                 Ch
to Sw 8

                 Gt
to Sw 8

                 Gt
to Ped 8-4

                 Ch
to Ped 8-4

                 Sw
to Ped 8-4

                 MIDI
to Gt, Sw, Ch, & Ped

                 Nave
shades on/off

Bedient Pipe Organ Company, Roca, Nebraska

Opus 65, United Methodist Church, Storm Lake, Iowa

In 1995, the United Methodist Church in Storm Lake, Iowa,
was given a generous gift. Because the donors stipulated that the money must be
spent on a new pipe organ, the organ committee put aside their original plan to
rebuild their old instrument and began researching pipe organ builders and
additional donors. Bedient was awarded the building contract, resulting in the
creation of a two-manual, mechanical-action organ with 19 ranks of pipes.

With its tonal qualities based on 18th-century German and
19th-century French and American traditions, the organ generates a wide dynamic
range for various accompanimental and performance tasks. All three traditions
provide a broad palette of musical possibilities, which are enhanced by the
lively acoustical environment provided through recent renovations.

The white oak organ case was designed to integrate with the
front of the sanctuary, which features a gilded trefoil pattern in the
woodwork. The pipe shades are of basswood in a flowing organic configuration.
The keyboard naturals are covered with blackwood and the accidentals are of
maple. The pedal keys are made of oak and the accidentals are capped with
moradillo. The stop knobs are made of cocobola.

Dr. Davis Folkerts, Professor Emeritus, Central College,
Pella, Iowa, and consultant on the organ project, played the dedication concert
on April 28, 2002. It featured diverse pieces from many countries and eras, and
included an historical narrative by Eunice Folkerts.

--Gene Bedient

GREAT

8’            Principal

8’            Rohrflote

8’            Dulciana

4’            Octave

2’            Octave style="mso-spacerun: yes"> 

III–IV      Mixture

SWELL

8’            Viole
de Gambe

8’            Voix
celeste

8’            Bourdon

4’            Spitzflute

2’            Doublette

II               Sesquialtera

16’         Fagott

8’            Trompete

PEDAL

16’         Subbass

8’            Flute

16’         Fagott
(Sw)

Great/Pedal

Swell/Pedal

Swell/Great

Tremulant

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