Wicks Organ Company,
Highland, Illinois
Bethel Lutheran Church,
Rochester, Minnesota
On a pleasant evening in July 2007, five members of Bethel Lutheran Church climbed into a van for a trip to Highland, Illinois. It was the next step in a process that had been going on for years. We had a dream: ever since our new worship space was being designed, we dreamed of filling it with music. Now the Wicks Organ Company—currently building their 6400th organ—had a unique proposal for us. In 1964 Wicks had built their 4400th instrument for themselves, to showcase their work to prospective customers. They had built a climate-controlled room for it, and maintained and updated it ever since.
In Highland we met with representatives of Wicks who told us about their company and Opus 4400. We listened as Dale Mundahl, our principal organist, sat down at the console. We heard the beautiful tones and the awe-inspiring low notes that our temporary organ could not produce. We delighted in the variety of different tone colors available; quintessential pipe organ, sweet strings, melancholy flutes, vibrant reeds, stirring brass and majestic festival trumpets, even a set of chimes. It sounded fantastic and looked stunning.
So what was the unique opportunity? Well, this instrument had a list of pipes very similar to that of our hoped-for ideal, with all the features we had dreamed of—and this meticulously maintained and updated organ, with a replacement value of $1.2 million, was being offered to Bethel for less than half of that. In January 2008 the people of Bethel approved a proposal to purchase it.
Then came the day when our new instrument was delivered. Twenty-five members of Bethel joined the Wicks staff in unloading the two trucks. Three hours later our narthex and several other areas were covered with all the pieces that make up Opus 4400—what an interesting, informative, and enjoyable labor of love. Throughout the installation process we were impressed with the willingness of the Wicks personnel to include us and answer questions.
After a process of tonal finishing and final adjustments, the space above our choir has been filled with a magnificent instrument that will be a blessing to our worship for present and future generations of Bethel—well worth an extended road trip in a rented van.
—Gary G. Thorn
Minister of Music & Worship
GREAT (unenclosed)
16′ Quintaton 61 pipes
8′ Prinzipal 61 pipes
8′ Gedeckt 61 pipes
4′ Prestant 61 pipes
4′ Waldflöte 61 pipes
2′ Oktave 61 pipes
II Tertian 122 pipes
III Mixtur 183 pipes
8′ Trompette en Chamade 61 pipes
8′ Krummhorn Pos
Chimes
SWELL (enclosed)
8′ Rohrflöte 61 pipes
8′ Salicional 61 pipes
8′ Voix Celeste TC 49 pipes
4′ Spitz Prinzipal 61 pipes
4′ Koppelflöte 61 pipes
22⁄3′ Nazard 61 pipes
2′ Hohlflöte 61 pipes
1′ Flautino 61 pipes
III Scharff 183 pipes
16′ Posaune 12 pipes
16′ Bassoon 61 pipes
8′ Trumpet 61 pipes
8′ Oboe digital
4′ Rohrschalmei 61 pipes
Tremolo
CHOIR (enclosed)
8′ Geigen Principal 61 pipes
8′ Gemshorn 61 pipes
8′ Erzähler 61 pipes
8′ Erzähler Celeste TC 49 pipes
8′ Viole 61 pipes
8′ Viole Celeste 61 pipes
4′ Gemshorn 12 pipes
2′ Harmonic Flute 61 pipes
II Rauschpfeife 122 pipes
8′ Clarinet 61 pipes
4′ Hautbois 61 pipes
8′ Trompette en Chamade Gt
Tremolo
POSITIV (unenclosed)
8′ Holzgedeckt 61 pipes
4′ Spillpfeife 61 pipes
2′ Flachflöte 61 pipes
11⁄3′ Quint 61 pipes
1′ Nachthorn 61 pipes
II Sesquialtera 110 pipes
III Klingende Cymbel 183 pipes
16′ Krummhorn 61 pipes
8′ Holzregal 61 pipes
Cymbelstern
PEDAL (unenclosed)
32′ Bordun digital
32′ Violone digital
16′ Kontra Bass 32 pipes
16′ Bordun 32 pipes
16′ Quintaton Gt
8′ Prinzipalbass 32 pipes
8′ Gedeckt 32 pipes
8′ Gemshorn Ch
4′ Choralbass 32 pipes
4′ Copula 12 pipes
2′ Oktavbass 12 pipes
III Mixture 96 pipes
32′ Contra Bombarde digital
32′ Sordun 32 pipes
16′ Bombarde 32 pipes
16′ Posaune Sw
16′ Bassoon Sw
8′ Trumpet 12 pipes
4′ Cromorne Pos
8′ Trompette en Chamade Gt
Chimes
65 stops, 59 ranks
=========================
Nichols & Simpson, Inc., Organbuilders, Little Rock, Arkansas
West Side Presbyterian Church, Ridgewood, New Jersey
The journey towards a Nichols & Simpson pipe organ for West Side Presbyterian Church began in 1999, when a contract was signed for an instrument to replace the church’s Austin organ, reusing many pipes from the existing instrument. On January 8, 2002, the church was totally destroyed by fire. In the ensuing months, friends and fans of West Side Presbyterian watched in amazement as this courageous and faith-filled congregation made the decision to rebuild. Nichols & Simpson, Inc. was chosen to build the pipe organ for the new worship space.
The West Side Presbyterian organ is unique in many ways. Its striking visual appearance was designed by the church’s architect, Herbert S. Newman and Partners, PC, and the unusual cylindrical case pipes were constructed by A. R. Schopp’s Sons, Inc. The case was designed by Frank Friemel and executed by QLF Custom Pipe Organ Components, LLC. The chest actions are electric-slider with pneumatic-cylinder stop actions and electro-pneumatic/electro-mechanical actions for unit and duplexed stops. The swell boxes are two inches thick, with hollow shades featuring sound-trap joint construction. Shade movement is controlled by 12-stage pneumatic-cylinder whiffletree swell engines.
The moveable console is constructed of mahogany finished to match the interior of the church, and features an interior of burl eucalyptus, bone natural keys with rosewood sharp keys, rosewood expression and crescendo shoes, rosewood drawknobs with bone faces, rosewood thumb pistons with bone faces, and bone tilting tablets to operate the intermanual couplers. The organ utilizes a Peterson ICS 4000 control system and incorporates 256 levels of memory.
The instrument was dedicated on Sunday, October 9, 2007, during a recital by Dr. Catherine Rodland, daughter of Joanne Rodland, the church’s director of music, and the late John Rodland.
—C. Joseph Nichols
Photo credit: David C. Scribner
Nichols & Simpson, Inc.,
West Side Presbyterian Church,
Ridgewood, New Jersey
48 stops, 59 ranks
GREAT
16′ Double Geigen
8′ Principal
8′ Geigen (extension)
8′ Harmonic Flute (expressive)
8′ Bourdon (expressive)
8′ Gamba (expressive)
4′ Octave
4′ Nachthorn (expressive)
22⁄3′ Twelfth
2′ Fifteenth
13⁄5′ Seventeenth
IV–V Fourniture
8′ Harmonic Trumpet (expressive)
8′ Cromorne (expressive, preparation)
4+8′ Clairon (expressive)
Tremolo
8′ Tuba (expressive)
Chimes
SWELL
16′ Bourdon
8′ Diapason
8′ Chimney Flute
8′ Salicional
8′ Voix Celeste
8′ Flauto Dolce
8′ Flute Celeste GG
4′ Principal
4′ Flute Octaviante
22⁄3′ Nasard
2′ Octavin
13⁄5′ Tierce
11⁄3′ Larigot
IV–V Plein Jeu
16′ Double Trumpet
8′ Trompette
8′ Hautbois
8′ Vox Humana
4+8′ Clarion
Tremolo
8′ Tuba (Great)
CHOIR
16′ Erzahler (extension, preparation)
8′ Geigen Diapason
8′ Bourdon
8′ Erzahler
8′ Erzahler Celeste GG
4′ Octave
4′ Koppelflote
2′ Flautino
IV Mixture
8′ English Horn
8′ Clarinet
Tremolo
8′ Tuba (Great)
Cymbelstern
16′ Trombone (Pedal)
8′ Tromba (Pedal)
4′ Tromba Clarion (Pedal)
ANTIPHONAL
8′ Principal (console preparation)
8′ Gedeckt (console preparation)
4′ Octave (console preparation)
8′ Trompette (console preparation)
ANTIPHONAL PEDAL
16′ Gedeckt (console preparation)
PEDAL
32′ Contra Bourdon (extension)
16′ Open Wood
16′ Subbass
16′ Double Geigen (Great)
16′ Bourdon (Swell)
16′ Erzahler (Choir)
8′ Gross Flute (extension Open Wood)
8′ Octave
8′ Geigen (Great)
8′ Gross Bourdon (extension Subbass)
8′ Bourdon (Swell)
8′ Erzahler (Choir)
4′ Choral Bass
4′ Gross Flute (extension Open Wood)
IV Mixture (preparation)
32′ Ophicleide (extension)
16′ Trombone
16′ Double Trumpet (Swell)
8′ Trumpet
8′ Tuba (Great)
4′ Clarion (extension Trumpet 8′)
Chimes
