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Pipe Organs of La Grange, Illinois, and the Architectural Edifices That House Them

June 1, 2016
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Stephen Schnurr is director of music for St. Paul Catholic Church, Valparaiso, Indiana, and editor-at-large for The Diapason. His most recent book, Organs of Oberlin, was published in 2013 by Chauncey Park Press (www.organsofoberlin.com). He has authored several other books and journal articles, principally on pipe organ history in the Great Lakes states.

This article is the continuation of a feature in the August 2015 issue of The Diapason. This article was delivered as a lecture for the Midwinter Pipe Organ Conclave on January 19, 2015, in La Grange, Illinois. The research for this project provides a history of a number of pipe organs in the village, but not all. For instance, organs in residences and theaters are not surveyed. 

 

First United Methodist Church

The Methodists were first organized in La Grange in 1872, served by clergy who also shepherded congregations at Cass and Lyonsville. Franklin Cossitt, founder of La Grange, donated land for the church. Before construction began, several active persons in the congregation moved away, and the property reverted back to Cossitt. This land was eventually the site of the First Congregational Church.

The Methodists reorganized in 1884. In the first year, church expenses were $216 for the pastor, $52 for hall rental for services, and $10 for missions. A frame school, used by the earlier Methodists, was purchased for $2,000, located on the present site, along with two lots. The renovated structure was dedicated for worship on November 28, 1886. Electric lighting was installed at a cost of $75 in 1892.

Plans for a new church were begun in 1890. In 1892, E. R. Turnock was retained as architect. The earlier church was demolished and work commenced on a new edifice in May of 1893. A portion of the stone Romanesque building was completed for use in November.

The completed sanctuary was dedicated in three services on Sunday, January 6, 1895. The congregation begins its pipe organ history in 1907 with acquisition of Henry Pilcher’s Sons Opus 577, a two-manual, thirteen-rank, nineteen-stop instrument completed in March of that year at a cost of $2,300. Pilcher took the church’s Vocalion organ in partial trade. An addition was made to the building the following year, and another in 1917.

Planning for the present church building began in 1948. The cornerstone of the church of Gothic influence in stone was laid in 1950. Dedication occurred on September 25, 1952. With membership at over 1,550 persons, the congregation added a second Sunday service. A new education building was erected between 1961 and 1963, including a chapel. The sanctuary was renovated to its present configuration in 2012.

For the church’s present edifice,
M. P. Möller of Hagerstown, Maryland, supplied its Opus 8261, a three-manual, electro-pneumatic action organ. The contract was dated August 7, 1950, with completion set for eleven months, at a cost of $20,096. Henry Beard was the representative for the builder. The organ was dedicated with the church in 1952. Beard’s wife, Maud, sang soprano during the church consecration service. The pipework is installed in a chamber above and to the left of the chancel. Around 1960, the Möller firm added the exposed Positiv division, divided on either side of the chancel. (See First Methodist Church stoplist, page 21.)

 

First Congregational Church

The First Congregational Church was organized on March 18, 1881. A frame church was erected the following year. Franklin Cossitt, a founder of La Grange, was active in this church as well as Emmanuel Episcopal Church.

The cornerstone of the present building was laid September 10, 1892, for a stone edifice of Romanesque influence. Dedication occurred May 1893. This portion of the building is now known as the Founders’ Room and is the oldest church building in the village. The present sanctuary adjoining the 1893 church was built in 1907. In 1937, this sanctuary was remodeled with the addition of a chancel and a new organ. In 1951, the education building was constructed, which includes the Chapel of the Beatitudes.

The first organ in the church was built by the Verney Organ Company of Mason City, Iowa, and was likely installed around 1907. A contract dated April 24, 1937, was signed by the church for a new organ from
the Votteler-Holtkamp-Sparling Organ Company of Cleveland, Ohio. Job number 1600 for the builder was to cost $10,000, and parts of the Verney organ were to be reused in the new instrument. The Great and part of the Pedal divisions were located on the right side of the chancel in chambers, the Swell and remainder of the Pedal divisions were located on the left side. The Positiv division was positioned on the rear wall of the chancel, some fifteen feet from the floor. The organ was to be completed by October 1. On July 1 $2,500 was due, and another $2,500 on October 1.

The June 1937 issue of The Diapason had this to say about the unique and forward-thinking planning for this organ:

 

According to the builders, the design of the organ will do much to solve the problem of divided organs. The chambers are to be located on both sides and above the choir. Both chambers are to be opened up to the nave as well as to the chancel, and to such an extent that the chambers as such will cease to exist. A positiv of eight stops will be placed on the back wall of the chancel, midway between the two chambers. This will take the place of the choir. The pipework of the positiv is to be unenclosed, although it will be hidden from sight of the congregation.

The organ is to be entirely “straight” except for the great quintaton 16 ft., and Posaune, 16’ ft., which are also to be used in the pedal. Four stops of the great and the harp and chimes are to be in a swell-box. The typical great stops will be unenclosed. To augment the regular adjustable combination action, a ventil system is included. This consists of ventil pedals 1-2-3, stop release and cancel. The specification was developed by Cecil Smith, organist and director.

The importance of this organ in the Chicago area may never have been realized. This was one of very few organs by Walter Holtkamp, Sr., in the metropolitan area, perhaps his largest, and an early statement of his forward-thinking work. (See Votteler-Holtkamp-Sparling stoplist, page 21.)

In 1957, Frank J. Sauter of Alsip, Illinois, replaced the console with a new one from the Reuter Organ Company of Lawrence, Kansas. In 1977, the organ was sold for $12,500 to Immaculate Conception Catholic Church, Chicago, for relocation there. There have been some tonal alterations to the organ. Also, it is possible that some slight changes were made to the organ’s specification when under construction at Holtkamp. Perhaps the Pedal 4Clarion may have been installed as a Clarinet. The Swell 4Oboe Clarion may have always been an 8 Oboe. Further records are not available in the builder’s archives.

In 1965, the Reuter Organ Company installed an organ in the Chapel of the Beatitudes. The contract for Opus 1477 was dated September 12, 1963, for a two-manual, eight-rank, electro-pneumatic action organ, enclosed except for the Principal and Mixture ranks. The chapel organ was dedicated in recital by Clyde Holloway on March 1, 1965. (See Reuter Opus 1477 stoplist, page 22.)

In August of 1978, The Diapason announced that the church had contracted for a new, two-manual, 32-stop, 47-rank mechanical-action organ from Jan Van Daalen of Minneapolis, Minnesota. The organ was to be installed at the front of the church in a free-standing case and to be completed by December. The console is detached and reversed. After the organ was finished, the Brustwerk 8 Musette was replaced with an 8 Celeste. (See Van Daalen stoplist, page 22.)

 

 

GREAT (Manual II, Enclosed with Choir, 4 wind pressure)

8 Diapason (scale 45, 12 zinc basses, remainder spotted metal, 73 pipes)

8 Bourdon (scale 46, 12 zinc basses, remainder common metal, 85 pipes)

8 Spitzflöte (from Choir, 8 Spitzflöte)

4 Octave (scale 58, spotted metal, 85 pipes)

4 Bourdon (ext, 8 Bourdon)

III Mixture (“3A,” spotted metal, 183 pipes)

8 English Horn (from Choir, 8 English Horn)

Tremolo

Great 16

Great Unison Off (now Positiv to Great)

Great 4

Chimes (from Pilcher organ, from tenor A, 21 tubes)

SWELL (Manual III, Enclosed, 412 wind pressure)

16 Rohrbourdon (common metal, 97 pipes)

8 Geigen Diapason (scale 47, 12 zinc basses, remainder spotted metal, 85 pipes)

8 Chimney Flute (ext, 16 Bourdon)

8 Viole de Gambe (scale 54, 12 zinc basses, remainder spotted metal, 73 pipes)

8 Viole Celeste (TC, scale 56, spotted metal, 61 pipes)

4 Geigen Octave (ext, 8 Geigen Diapason)

4 Rohrflöte (ext, 16 Rohrbourdon)

223 Nazard (ext, 16 Rohrbourdon)

2 Flautino (ext, 16 Rohrbourdon)

III Plein Jeu (“3-R-2,” spotted metal, 183 pipes)

16 Contra Fagotto (TC, from 8 Fagotto)

8 Trompette (312 scale, 85 pipes)

8 Fagotto (312 scale, 73 pipes)

8 Vox Humana (prepared, 4 Trichter Regal installed c. 1960, 61 pipes)

4 Clarion (ext, 8 Trompette)

Tremolo

Swell 16

Swell Unison Off

Swell 4

CHOIR (Manual I, Enclosed with Great, 4 wind pressure)

8 Principal (ext, Great, 4 Octave)

8 Spitzflöte (scale 46, 2/3 taper, 12 zinc basses, remainder common metal, 73 pipes)

8 Erzähler (scale 52, 1/4 taper, 12 zinc basses, remainder spotted metal, 85 pipes)

8 Erzähler Celeste (TC, scale 52, 1/4 taper, spotted metal, 61 pipes)

4 Nachthorn (scale 60, capped, common metal, 73 pipes)

4 Erzähler (ext, 8 Erzähler)

223 Nasat (ext, 4 Nachthorn)

8 English Horn (4 scale, 73 pipes)

Tremolo

Choir 16

Choir Unison Off (now Positiv to Choir)

Choir 4

Positiv (floating)

8 Gedeckt (61 pipes)

4 Koppelflöte (61 pipes)

2 Prinzipal (61 pipes)

113 Larigot (61 pipes)

III Zimbel (183 pipes)

PEDAL (4 and 5* wind pressures)

16 Subbass (“Large Ped. Bdn.,” 32 pipes)*

16 Spitzflöte (scale 34, 2/3 taper, ext, Choir, 8 Spitzflöte, 12 pipes)

16 Rohrbourdon (from Swell, 16 Rohrbourdon)

1023 Spitzquinte (from 16 Spitzflöte)

8 Octave (scale 40, 17 zinc basses, remainder common metal, 44 pipes)

8 Spitzflöte (from Choir, 8 Spitzflöte)

         8 Rohrgedeckt (from Swell, 16 Rohrbourdon)

4 Super Octave (ext, 8 Octave)

4 Rohrflöte (from Swell, 16 Rohrbourdon)

16 Double Trumpet (6 to 312 scale, ext, Swell, 8 Trompette, 12 pipes)*

 

Inter-divisional Couplers

Great to Pedal 8

Great to Pedal 4

Swell to Pedal 8

Swell to Pedal 4

Choir to Pedal 8

Choir to Pedal 4

Swell to Great 16

Swell to Great 8

Swell to Great 4

Choir to Great 16

Choir to Great 8

Choir to Great 4

Swell to Choir 16

Swell to Choir 8 

Swell to Choir 4

 

Accessories

5 General pistons (thumb and toe)

5 Great pistons (thumb)

6 Swell pistons (thumb)

5 Choir pistons (thumb)

4 Pedal pistons (toe)

General Cancel (thumb)

Great to Pedal reversible (thumb and toe)

Swell to Pedal reversible (thumb and toe)

Choir to Pedal reversible (thumb and toe)

Deagan Chimes dial (off and five volumes)

Balanced Swell expression shoe

Balanced Great and Choir expression shoe

Balanced Crescendo shoe (5 green indicator lights)

Sforzando reversible (thumb and toe, with red indicator light)

Generator (white light)

 

 

GREAT (Manual II–*enclosed stops)

16 Quintaton (61 pipes)

8 Principal (61 pipes)

8 Hohl Floete (61 pipes)*

8 Salicional (61 pipes)*

4 Octave (61 pipes)

4 Fugara (61 pipes)*

2 Doublette (61 pipes)*

V Plein Jeu (305 pipes)

16 Posaune (61 pipes)

Harp*

Chimes*

SWELL (Manual III, Enclosed)

8 Bourdon (73 pipes)

8 Harmonic Flute (73 pipes)

8 Gambe (73 pipes)

8 Voix Celeste (61 pipes)

8 Ludwigtone (122 pipes) [sic]

4 Flute Octaviante (61 pipes)

2 Piccolo (61 pipes)

III Dolce Cornet (183 pipes)

IV Mixture (244 pipes)

8 Trompette (73 pipes)

8 Vox Humana (73 pipes)

4 Oboe Clarion (61 pipes)

Tremolo

POSITIV (Manual I)

8 Quintaton (68 pipes)

8 Gemshorn (68 pipes)

4 Prestant (copper, 68 pipes)

4 Rohr Floete (68 pipes) 

223 Nazard (61 pipes)

135 Tierce (61 pipes)

III–IV Cymbal (200 pipes)

8 Cromorne (68 pipes)

Harp (from Great, Harp)

PEDAL

16 Contra Bass (32 pipes)

16 Soubasse (32 pipes)

16 Quintaton (from Gt, 16 Quintaton)

8 Violoncello (32 pipes)

8 Flute (32 pipes)

4 Choral Bass (32 pipes)

2 Nachthorn (32 pipes)

16 Bombarde (32 pipes)

16 Posaune (from Great, 16 Posaune)

8 Fagotto (32 pipes)

4 Clarion (32 pipes)

 

Couplers

Great to Pedal 8

Great to Pedal 4

Swell to Pedal 8

Positiv to Pedal 8

Positiv to Pedal 4

Swell to Great 16

Swell to Great 8

Swell to Great 4

Positiv to Great 16

Positiv to Great 8

Positiv to Great 4

Swell to Positiv 16

Swell to Positiv 8

Swell to Positiv 4

Swell to Swell 4

 

Accessories

6 General pistons

4 Great pistons

6 Swell pistons

4 Positiv pistons

5 Pedal pistons

General Cancel

3 Ventils, Stop Release, Cancel, with indicators

Great to Pedal reversible (thumb and toe)

Swell to Pedal reversible (thumb and toe)

Positiv to Pedal reversible (thumb and toe)

Swell to Great reversible (thumb and toe)

Positiv to Great reversible (thumb and toe)

Swell to Positiv reversible (thumb)

Balanced Swell expression shoe

Balanced Great expression shoe

Balanced Crescendo shoe (with indicator light)

Sforzando reversible (with indicator light)

 

GREAT (Manual I)

16 Dolcan (TC, from 8’ Dolcan)

8 Principal (85 pipes)

8 Gedeckt (97 pipes)

8 Dolcan (85 pipes)

8 Dolcan Celeste (TC, 61 pipes)

4 Octave (ext, 8 Principal)

4 Gedeckt (ext, 8 Gedeckt)

223 Dolcan Twelfth (ext, 8 Dolcan)

2 Fifteenth (ext, 8 Principal)

III Fourniture (15-19-22, 219 pipes)

16 Contra Hautbois (85 pipes)

8 Hautbois (ext, 16 C. H.)

4 Hautbois Clarion (ext, 16 C. H.)

Chimes (prepared)

SWELL (Manual II, Enclosed)

8 Gedeckt (from Great, 8 Gedeckt)

8 Dolcan (from Great, 8 Dolcan)

8 Dolcan Celeste (from Great, 8 

    Dolcan Celeste)

4 Principal (from Great, 8 Prin.)

4 Gedeckt (from Great, 8 Gedeckt)

4 Dolcan (from Great, 8 Dolcan)

4 Dolcan Celeste (ext, 8 D. C.)

223 Gedeckt Quint (ext, 8 Gedeckt)

2 Gedeckt (ext, 8 Gedeckt)

135 Dolcan Tierce (from 8 Dolcan)

III Scharf (22-26-29, from Great, III 

    Fourniture)

8 Hautbois (from Great, 8 Haut.)

4 Hautbois Clarion (from 8 Haut.)

Tremolo

PEDAL

16 Bourdon (ext, Great, 8 Bourdon)

16 Dolcan Bass (12 basses from 16 

    Bourdon, low pressure)

8 Octave (from Great, 8 Principal)

8 Gedeckt (from Great, 8 Gedeckt)

8 Dolcan (from Great, 8 Dolcan)

4 Super Octave (from Great, 8 

    Principal)

4 Gedeckt (from Great, 8 Gedeckt)

III Mixture (from Great, III)

16 Contra Hautbois (from Great, 

    16 Contra Hautbois)

8 Hautbois (from Great, 16 C. H.)

4 Hautbois Clarion (from 16 C. H.)

 

Accessories

4 General pistons (toe and thumb)

Balanced expression shoe

Balanced Crescendo shoe (with indicator light)

Current indicator light

 

GREAT (Manual I)

16 Prestant (56 pipes)

8 Prestant (56 pipes)

8 Rohrflöte (56 pipes)

4 Octave (56 pipes)

4 Koppelflöte (56 pipes)

4 Quintadena (56 pipes)

223 Spitzquint (56 pipes)

2 Principal (56 pipes)

2 Blockflöte (56 pipes)

III Cornet (from tenor C, 223, 135

    113, 132 pipes)

V Mixture (113, 280 pipes)

III Cymbal (14, 168 pipes)

8 Trompette (56 pipes)

Tremolo

BRUSTWERK (Manual II,
Enclosed)

8 Gedackt (56 pipes)

8 Viola Pomposa (56 pipes)

8 Vox Celeste (replaced 8 Musette, 

    from tenor C, 44 pipes)

4 Principal (56 pipes)

4 Spillflöte (56 pipes)

2 Octave (56 pipes)

113 Quint (56 pipes)

II Sesquialtera (112 pipes)

IV Mixture (113, 224 pipes)

16 Fagotto (56 pipes)

Tremolo

PEDAL

16 Prestant (from Great, 16 Prestant)

16 Bourdon (32 pipes)

8 Prestant (32 pipes)

8 Gedackt (32 pipes)

4 Choralbass (32 pipes)

III Mixture (2, 96 pipes)

16 Posaune (32 pipes)

8 Trompette (32 pipes)

4 Trechter Schalmey (32 pipes)

 

Couplers

Great to Pedal

Brustwerk to Pedal

Brustwerk to Great

 

Accessories

10 General pistons (thumb and toe)

8 Great pistons (thumb)

8 Brustwerk pistons (thumb)

8 Pedal pistons (thumb)

General Cancel (thumb)

Combination setter button (thumb)

32-level solid-state combination action

Great to Pedal reversible (thumb and toe)

Brustwerk to Pedal reversible (thumb and toe)

Brustwerk to Great reversible (thumb and toe)

Zimbelstern reversible (toe)

Balanced Brustwerk expression pedal

 

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