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    Berghaus Organ Company, Inc., Bellwood, Illinois: St. Mary’s Roman Catholic Church, Port Washington, Wisconsin

    Berghaus Organ Company, Inc., Bellwood, Illinois

    St. Mary’s Roman Catholic Church, Port Washington, Wisconsin

    Set upon a hill, significantly above the shores of Lake Michigan, is St. Mary’s Church of Port Washington, Wisconsin. Its American gothic structure, built in 1884, can be seen for many miles from any direction and in the 1800s served as a navigation aid for ships coming into port.

    In July of 2002, a contract was negotiated for a new two-manual and pedal organ. The key action was to be tracker and the stop action to be electric, in order that a combination system could be available for the convenience of the organists. The organ case is made of red oak, with plywood, oak-veneered panels set into massive solid oak frames. The keydesk is built into the lower portion of the case with drawknobs set into terraced, horizontal side jambs also made of solid oak.

    The main case of the organ embraces the Great and Swell organs. The upper façade displays the pipes of the Great 8’ Principal. The lower façade displays the pipes of the Swell 8’ Principal. The entire Swell 8’ Principal is outside of the swell box. Between the upper and lower façades are the pipes of the Great 4’ Octave. Behind the main case is the Pedal organ. Casework covers the lower portion of this division; from windchest level on up, all the pipework is un-encased. Because of the good acoustic of the church, the Pedal has no difficulty in speaking into the nave. The Pedal Kontrabass 16’ plays from its own ventil action, pallet chest on a wind pressure of 125 mm. These pipes are original to the first instrument. It was decided not to rebuild these pipes, just to accommodate a lower wind pressure. The remaining stops in the Pedal are voiced on a wind pressure of 75 mm. Wind pressures of the Great and Swell organs are 70 mm.  Much of this organ remains as “preparations” since funds were not available to build this organ as a totally completed instrument.

    The organ’s case design is by Allyn Hoverland and Abraham Batten. Tonal specifications were by Leonard Berghaus in collaboration with the parish organist, Drew Rutz. Brian Berghaus oversaw the case construction and installation. Tonal finishing in the church was performed by John Streufert, head voicer, and by Leonard Berghaus. Organbuilders and installers included the following: Todd Berghaus, Jeff Hubbard, Jordan Smoots, Paul Sturm, Paul Serresseque, Mitch Blum, Gordon Bruns, Randy Watkins, Mike Pelton, and Kurt Linstead.

    The blessing and dedication of the organ took place on August 10, 2003. The organist for this service was Alan Hommerding. The pastor of St. Mary’s Parish is Fr. Allan Sommer.  Parish and school music director is Drew Rutz.

    --Leonard Berghaus

    GREAT (Unenclosed)

    16’        Bourdon*

    8’           Prestant (façade)

    8’           Gamba*

    8’           Rohrflöte

    4’           Octave

    4’           Spitzflöte (prep)

    22/3’   Quinte (prep)

    2’           Octave

    13/5’   Terz (prep)

                      Mixture V (draws 2’)

    8’           Trompete (prep)

                      Tremulant

    SWELL (Enclosed)

    8’           Principal (façade)

    8’           Spitzviol

    8’           Spitzviol Celeste (tenor c)

    8’           Holzgedackt*

    4’           Geigend Octave

    4’           Koppelflöte

    2’           Hohlflöte

    11/3’   Klein Nasat (prep)

                      Scharf-Mixtur IV (prep)

    16’        Groß Dulzian (prep)

    8’           Schalmei (prep)

                      Tremulant

    PEDAL

    16’        Kontrabass*

    16’        Subbass*

    8’           Principal

    8’           Gemshorn (prep)

    4’           Choralbass (prep)

                      Mixtur III (prep)

    16’        Holzposaune (prep)

    4’           Kornett (prep)

                      Zimbelstern

    Mechanical key action with electric stop action; 32-level memory system combination action

    *Revoiced from the 1924 Schaeffer organ




    Source: THE DIAPASON   November 2004   Volume: 95 Number: 11
    Copyright © 2010 Scranton Gillette Communications


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